lucubration

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“_Good_-bye.  I'm going to do everything just as you've told me; and if I don't ever see you again, I sha'n't ever forget you and I'll think of you a many and a many a time, and I'll _pray_ for you, too!”--and she was gone. Pray for me!  I reckoned if she knowed me she'd take a job that was more nearer her size.  But I bet she done it, just the same--she was just that kind.  She had the grit to pray for Judus if she took the notion--there warn't no back-down to her, I judge.  You may say what

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us to hold up his translation as what a translation of Homer _might_ be. But we can still dismiss Pope's Iliad to the hands of our readers, with the consciousness that they must have read a very great number of books before they have read its fellow. As to the Notes accompanying the present volume, they are drawn up without pretension, and mainly with the view of helping the general reader. Having some little time since translated all the works of Homer for another publisher, I might have brought a large amount of accumulated matter, sometimes of a critical character, to bear upon the text. But Pope's version was no field for such a display; and my purpose was to touch briefly on antiquarian or mythological allusions, to notice occasionally _some_ departures from the original, and to give a few parallel passages from our English Homer, Milton. In the latter task I cannot pretend to novelty, but I trust that my other annotations, while utterly disclaiming high scholastic views, will be found to convey as much as is wanted; at least, as far as the necessary limits of these volumes could be expected to admit. To write a commentary on Homer is not my present aim; but if I have made Pope's translation a little more entertaining and instructive to a mass of miscellaneous readers, I shall consider my wishes satisfactorily accomplished. THEODORE ALOIS BUCKLEY. _Christ Church._ POPE'S PREFACE TO THE ILIAD OF HOMER Homer is universally allowed to have had the greatest invention of any writer whatever. The praise of judgment Virgil has justly contested with him, and others may have their pretensions as to particular excellences; but his invention remains yet unrivalled. Nor is it a wonder if he has ever been acknowledged the greatest of poets, who most excelled in that which is the very foundation of poetry. It is the invention that, in different degrees, distinguishes all great geniuses: the utmost stretch of human